Wednesday, May 30, 2012
Sarah has a really...different sound to her music. It's hard for me to define/explain. It's not crazy, "out there". It's still got all the elements of your typical christian music, but there's just a hint of different to it - in the beat. Well...actually...I'll just let her site explain for me:
"So what does she sound like?...It sounds more like a drop of color in a glass of water. No, really. Think about it: Pop music, as a form, is a glass of water. There are conventions that we’re all used to, certain attributes that the vessel must adhere to for us to accept it. It must contain the attributes that make it a glass of water. And the cultural landscape is littered with glasses of water left of shelves, on counters, in our cars and offices. They are enjoyed for a bit, maybe even savored. At times, they might even save us. But at the end of the day, it’s just another glass of water that is enjoyed until it isn’t, and then forgotten about.
But then someone comes along and drops a bit of color in a fresh glass. The vessel is still the same, but the contents are forever altered. It only takes one little drop – the color falls into the water and
blooms into unexpected and beautiful shapes, expanding outwards while evolving and dancing within its container. Its dance is joyous and wonderful and breathtaking, and before you know it, you’re looking at a glass of water that still has all the same attributes that the rest of the glasses of water have – save for one: That brilliant shock of color, setting it apart.
From the first moments of Sarah’s new album Current, you know that you are hearing something that stands apart. Yes, her music nestles in comfortably within our acceptable parameters of pop music. The vessel is correct. But the contents are of a completely different color. From the opening track you are listening to that drop of color make its way into every space within the glass. The bouncy and unexpected harp that opens the album’s title track gives way to strings, a chorus of drums, and a huge melody – a sonic palette that should sound familiar to anyone who has spent time listening to the Nashville indie-act Paper Route, co-producer JT Daley’s other day job.
It doesn’t stop with the banging opening number, though. The entire album is punctuated by chamber-pop elements and instrumentation. The standard sounds you would expect in a pop song clash with small and intimate details, giving the sonic landscape a sense of familiarity but with a lushness and texture that rings new to the ears of those of us who are so accustomed to the conventional output of the record labels these days. And while these elements draw you in, it’s the voice that keeps you listening. Sarah’s voice is wonderful, true, but it’s her turn of melody, of taking that one thing you rely on as a listener, and flipping it on its head before righting it again (before you’ve even realized it!) that makes listening to Current such a breathtaking and engrossing experience. Her mixture of musical phrase and words that come not from her head, but from her heart are what make you realize that you are not engrossed in a pop album – you are engrossed in one person’s honest-to-God work of art."
There. A much better explanation :) It definitely is a "drop of color in a glass of water". Sarah's songs don't tell stories of people. They sing feelings and emotions from the CONNECTION of one person with their Savior. Current is my heart, crying out for my Savior. In joy, in desperation, in abandon...with every emotion, with every beat of my heart. The more I listen to her music, the more I love it. Seriously.
I received a copy of this CD in exchange for my honest review!